Rare friends stubbornly believe that part of my "creative" out of the book of the original text is "sail under false colors", is also dated himself out the names of the songs on the Crown, which bombard me with very nasty words and even swear word, deliberately I clip the "desecration" of the poetry of the hat. Wanted to disregard it. Laments on the morals, you don't defend, others say you arrogant; if you defend, but others will say that you are not generous. Instead of bellows in the mouse, I might as well come out to talk, than has been carrying all of swallow nest in belly rise in blood pressure is good.
If after my explanation, there are individual editors and readers do not understand, then I'll just have to put in his work "creative" subtitle was removed. Of course, just like some of the users said, we appreciate is the author of modern poetry, subtitle subtitle not indifferent. This attitude, I can accept, when friends appreciate poetry, can put aside these subtopics, to ignore, merely measured by modern poetry reading poetry. I have no opinion on this.
Needs to be emphasized is that good poetry reader in reading ("creative") when, if "creative" and inspire readers to the book of learning and inquiry of interest, it is better. This year is also the author of "creative" one of the original purpose of the work. Think about the author section of nameless scribes, the cast of the "brick", to awake reader's pilgrimage culture of the book of interest, it is honored on I no.
Author can confident to told friends were, for poems by under of worship, author absolute not than those shelling I of users were came difference, otherwise author also not spent Shang several years of time behind closed doors at home, down to a article a article studied poems by under, turn learning since poems by under era yilai related of research works, thankless to wrote that near million word of poems by under research monograph.
2011年8月19日星期五
show" first mainstream
show" first mainstream--in the spirit of the two main "wind" poetry tradition!
The so-called "wind" poetic tradition, refers to is the realism of the songs from generation to generation. It and Qu Yuan's "show" ("show" means the Lisao, representative of the songs) scale the tradition of poetry and mudu Zhi in Chinese ancient poems and broad Avenue. People used to put "poetry", "show" and said the call for "wind", "show" tradition. Later the thrust of "wind, ya" (that is, the poetry of the wind and the great political rights, of the lesser), refers to is the realism of the songs from generation to generation. In other words, in which the book of folk songs and poetry works of literary irony Yu Shi as the representative of realism focusing on the present reality of the opening of the shining path-breaking inheritance.
This traditional, from poems by under began, experience has Han Yuefu, Han Wei character, Du Fu and Hou Yu du Fu of Bai Juyi, and Yuan Zhen, and Zhang nationality, and Wang Jian, and Lee gentry, by set off and vigorously practice of "new Yuefu movement"; to song and Jin Zhiji, is has Wang Yucheng, and Yuan Hao-Wen; drop and the Yuan ming and Qing dynasties three generations, variable and for drama and novels, Guan Han-Qing's and Cao Xueqin, especially Cao Xueqin, its dream under is boarded has China classical realism literature of "Taishan the extreme"! Since the beginning of modern, Mr LU Xun as a representative. I have trouble to comb all the way down, is to tell friends, author of "the poetry creative" understanding of the series, my friends never be strait-laced, stick to the book of the original text does not, in that case, then my "creative" what happened? Simply translate to good (can such a contrast from the translation of the original, just any one of the songs in the street works, readers can appreciate probably. Therefore the author in research at the beginning of the book of songs of that year, they provided their own, only "commentary and creative" work does not do the translation. Some textual ambiguity due to fear, the author in "review" carding or made a brief explanation).
I think that we are engaged in "creative" poetry work, if you restrict one everywhere, can't open original, how to create? How to Flash? What poetic full? How to "for real services"? How can "legislative text of living people"? You know, under the housing estates, bed last bed, only smaller, and no way out.
The so-called "wind" poetic tradition, refers to is the realism of the songs from generation to generation. It and Qu Yuan's "show" ("show" means the Lisao, representative of the songs) scale the tradition of poetry and mudu Zhi in Chinese ancient poems and broad Avenue. People used to put "poetry", "show" and said the call for "wind", "show" tradition. Later the thrust of "wind, ya" (that is, the poetry of the wind and the great political rights, of the lesser), refers to is the realism of the songs from generation to generation. In other words, in which the book of folk songs and poetry works of literary irony Yu Shi as the representative of realism focusing on the present reality of the opening of the shining path-breaking inheritance.
This traditional, from poems by under began, experience has Han Yuefu, Han Wei character, Du Fu and Hou Yu du Fu of Bai Juyi, and Yuan Zhen, and Zhang nationality, and Wang Jian, and Lee gentry, by set off and vigorously practice of "new Yuefu movement"; to song and Jin Zhiji, is has Wang Yucheng, and Yuan Hao-Wen; drop and the Yuan ming and Qing dynasties three generations, variable and for drama and novels, Guan Han-Qing's and Cao Xueqin, especially Cao Xueqin, its dream under is boarded has China classical realism literature of "Taishan the extreme"! Since the beginning of modern, Mr LU Xun as a representative. I have trouble to comb all the way down, is to tell friends, author of "the poetry creative" understanding of the series, my friends never be strait-laced, stick to the book of the original text does not, in that case, then my "creative" what happened? Simply translate to good (can such a contrast from the translation of the original, just any one of the songs in the street works, readers can appreciate probably. Therefore the author in research at the beginning of the book of songs of that year, they provided their own, only "commentary and creative" work does not do the translation. Some textual ambiguity due to fear, the author in "review" carding or made a brief explanation).
I think that we are engaged in "creative" poetry work, if you restrict one everywhere, can't open original, how to create? How to Flash? What poetic full? How to "for real services"? How can "legislative text of living people"? You know, under the housing estates, bed last bed, only smaller, and no way out.
The book of songs "creative" debate
The book of songs "creative" debate
Alas! How can I say? How do individual editors has also been under the influence of some people?
My "the book of ideas" is creative and modern poetry! Or, rather, is under the guidance of the spirit in the poetry of realism round unique ideas comes from. Not on the book of the original text of "translation", not "translation", and certainly not "record". It can occur and the poetry of the original contact or contact does not occur and the poetry of the original.
With a corresponding chapter of the songs as "creative" subtitle, was ten years ago, because I study at a time when the book of songs, is a country-by-article commentary of the book, which corresponds to the book of the original article-by-"creative". This subtitle, where "Remembrance" more than "creative" poetry in own needs (referring to those seemingly out of the book of the independent creation of the original).
Relevant chapter of the book, author of "creative" is essentially a "touch" or the "raised and enlightening"! Was "inspired" author related creation of "trigger an" Oh, it is like the role of Chinese medicine "guiding drug child". But the "guiding drug child" is not a "medicine".
Because aware of this, the author of "creative" after work on the 100 first, consciously put aside the book of the original, follows the realism of the poetry, independently conducted self-perspective in the poetry of reality. Basically it is proud to say that these relations and the poetry of the original text, not just authors creative labor of poetry, but also better inherit the essence of the songs for thousands of years--the poetry of realism! Although the authors do not good, this is the inheritance of Chinese poetry "wind,
Alas! How can I say? How do individual editors has also been under the influence of some people?
My "the book of ideas" is creative and modern poetry! Or, rather, is under the guidance of the spirit in the poetry of realism round unique ideas comes from. Not on the book of the original text of "translation", not "translation", and certainly not "record". It can occur and the poetry of the original contact or contact does not occur and the poetry of the original.
With a corresponding chapter of the songs as "creative" subtitle, was ten years ago, because I study at a time when the book of songs, is a country-by-article commentary of the book, which corresponds to the book of the original article-by-"creative". This subtitle, where "Remembrance" more than "creative" poetry in own needs (referring to those seemingly out of the book of the independent creation of the original).
Relevant chapter of the book, author of "creative" is essentially a "touch" or the "raised and enlightening"! Was "inspired" author related creation of "trigger an" Oh, it is like the role of Chinese medicine "guiding drug child". But the "guiding drug child" is not a "medicine".
Because aware of this, the author of "creative" after work on the 100 first, consciously put aside the book of the original, follows the realism of the poetry, independently conducted self-perspective in the poetry of reality. Basically it is proud to say that these relations and the poetry of the original text, not just authors creative labor of poetry, but also better inherit the essence of the songs for thousands of years--the poetry of realism! Although the authors do not good, this is the inheritance of Chinese poetry "wind,
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